I think I've heard that song before.
My sister, feeling badly about my major spinal issues and pains, and how they have narrowed my life, picked up a couple of car kits from a neighbor's yuard sale collection. Among them was an old Monogram kit of a 427SC Cobra, specifically CSX 4031. While not his car, I immediately thought of one of three people with similar or identical cars, and how their worlds and my own intersected deep in my past.
But first, a bit of background. One of these individuals was Mike Tangney, a backyard mechanical "genius" whose work and one of his cars crossed my path some 40 years ago. You see Mike not only did much work on my Siata when it came west from a long sleep in Pennsylvania in the early 1980s. Among other great work he did on the car, he fabricated a replacement for the turtle decck which had been cut out some decades earlier in order to make the car into one of the world's ugliest convertibles.
But there was another intersection with MIke, because at the time he owned and vintage raced a highly unusual car...one with direct predessor links to the AC ACE, whose body and frame graced not only the unique AC Bistols, but also, with a Ford 289ci V8 grafted in, the AC Ford/Shelby Cobra.
This car was a different beast under the skin, but the body, crafted by John Trojiero, became, under his refinement, the lovely cuurves gracing the ACE. And yet there was even more strangeness than that, linking Trojiero and the ACE to my (barely) contemporary or earlier Siata.
You see, John learned his craft in Italy, working in the Bertone shop panel beating both "production" and "one off" bodies for the many car manufacturers trying to get a foot up in early post-war "Motor Valley" in the northern part of the country.
Though not a for sure fact, it is entirely possible Trojiero had a hand in the work to design and fabricate the 300BC bodies Bertone put on the modified Amica chassis Siata supplied, when it was clear that the small tube frame put on the Orchidea prototype for the 300BC was not workable for an albeit limited, production car given the welding technology of the era. Only Maserati was successful, some eight years later, with the small tube welded frame for the legendary "Birdcage."
So it is, perhaps, no coincidence that the 300BC is sometimes confused for the ACE or 289 Cobra. From a distance and looked at quickly they appear remarkably similar.
So...the Trojiero Special to the 300BC Siata to the AC ACE to the 289 Cobra? Could be. All four, BTW, used the identical transverse apring upper link suspension setup, original to the even earlier Fiat Topolino...the famous "Little Mouse" of the late 1940s.
At any rate, the relationship continued, from one "John" to another. Mike Tangney also worked on at least one of John Lewis's cars. My relationship to that John (The world's oldest teenager even at his death some decades ago) winds through this blog in other posts, so I won't delve too deeply into that here, other than to say he was one of my very closest friends, and I miss his unique style to this day.
So let me (finally, you say?) close the link. John (my John...Lewis, not Trojiero) owned a series of cars in his life, and at one point this included a pretty, though somewhat...less than 100% in terms of condition...AC Bristol...thus the link to Mike Tangney and that whole back story, as Mike had his hands all over the AC in one way or another. Here's a photo I took and gave John for a gift at some point, given back to me by his daughter after he died.
This was shot at the public school in Virginia CIty used as a staging area for the Virginia City Hillclimb event.
Let me use the photo as the next link in the story. John was, like most of us in the era, an enthusiastic driver but not experienced in actual competition driving. Both of us were members of the Bay Area Chapter of the Ferrari Owners Club, at that time probably second only to the Southern California chapter in having the greatest concentration of Ferraris on the planet...seriously. And every year the chapter joined with the Bay Area Cobra Owners Club to operate a hillclimb event in Nevada.
This was a pretty complex affair to organiaze and run, as I learned both by volunteering as part of Start Control as well as working a corner multiple times and also helping then President Doug Fonner in a trip in his 308 Ferrari to get the required permits and volunteer help for comunications.
The course was 5.2 miles, climbs 1200 feet, and has 20 numbered curves as well as long straights, finally crossing the old Virginia and Truckee railroad line via a pretty dangerous overpass. It also crossed county lines and thus required permits and police support from three different agencies, closing the road to public traffic (the alternate route was a more gentle road used by commercial traffic, but this also became our cooldown return to the starting area after a run.
The cars were started at intervals to hopefully avoid passing and also make sure we could shut the course down quickly in case of an incident, before a succeeding car arrived on the scene of the problem. And problems there were.
In fact, as I became more skilled I came to realize it was by far the most dangerous event I ever did, with potentially fatal dropoffs and little margin for error on turns, plus that tricky overpass with its change from macadam to concrete just after the final turn. There were many "near misses" and cars "hanging over the edge' (almost includidng mine...see https://martinodipietra.blogspot.com/2017/01/nevada-insanity.html for that story.
On the day which brought the links of this story together, Sherri and I were working one of the turns, though time has erased exactly which one. I know there was a straight out of the following turn which contained a rock wall, but we had to rely on a local shortwave radio club for turn to turn communication as no turn could see the one before or the one following.
So all we heard was the crash when John's AC hit the wall coming out of the turn following "ours.". Even before we were told over the radio to do so, I reached for the yellow flag, only to have the wind whip it off the pole it was supposedly attached to, leaving me no choice but to reach for the red, even as the sound of the following car became a crescendo which seemed to suck the entire atmosphere off the hill, down the throat and out those huge side pipes of Dick Smith's 427 Cobra...California vanity plate "Litsmup" or maybe it was "litesmup?"
Anyway, I'd never seen (or heard) anything like it. Yes, I know a 427 can go from 0-100-0 in 10 seconds...but I'd never before seen anyone actually do it! It just stunned me.
That was my first, but just the beginning, of my ever growing respect for the man. I was to meet, and watch him, at many subsequent FOC/Shelby Club track days, and on to many years in vintage racing, finally losing sight of him as my own particpation in that world became limited by age and back issues.
Watching Dick was an incredible thrill. Most of the guys that drive and even race Cobras can barely hang onto them. They take a turn in a true "point and squirt" fashion, tiptoeing around a turn lest the rear tires light up and the beast becomes a dragon, then stepping on it and firing off like they wre shot out of a gun once lined up on the following straight.
Hell, I could easily pass soome of these guys in any turn, and once did it just to say I had, but in general, what's the point? On the following straight they would just disappear from view anyway, so why bother?
But Smith was something else to watch...the smoothest driver of a Cobra I've ever seen up close. He acttuallly DROVE it around turns, just as if it was my Siata. Never a wheel chirp and just as smooth as silk. Just stunning...and he was ALWAYS at the sharp end of the finishing order, if not, as he mostly was, in first place.
So the final link of the story that began in Torino around 1950, was an early Spring HMSA vintage race weekend...maybe in the mid to late 1980s. This is an event I always loved.
Laguna Seca in the Spring is my idea of heaven. The later usually gold hills are green, the weather is cold and could be rainy but never washed out the event totally, the people that raced with HMSA were always "gentlemen" in the true sense of the word, and I never worried about being on track with bigger and faster cars...and the early Spring (March) timing made for a relaxed start to get drivers AND cars "in tune" and ready for the season, after what is, for most of us, a winter's sleep.
A time to "get the dust out" of cars and driving skills. A time to relax and have fun. A time to...maybe check and see what cars I would be grouped with. Unfortunately, for this particular meet, the grids had not been printed. So I flagged down Cris Vandergrif, the race organizer and the owner of HMSA, as he passed by on a motor scooter.
Who am I gridded with?"
"Not sure, but don't worry about it. Just a bunch of small bore cars like Alfas and such." (This was before the days of using more modern tech to hotrod cars of any era to way exceed their historic performaance, often vastly exceding the abiltiy of their brakes, suspension, and wheels to manage the increased power).
So innocent me toddles my tiny, snarling little ride up towards the gate entrance to the hot pit lane, just this side of the wall to the track itself. But now my view of the grid is blocked, as it would not be before they were built, by the row of garages, occupied by crews supporting gjuys with more serious cars and/or money. All I can see until I pass the garage wall is...concrete...UNTIL...
Oh S**t! Nothing but Cobras and Corvettes as far as I can see. So now I am directed to tuck in my snapping little terrier right next to...a 427 Cobra. Not Dick Smith, but what's the difference? The guys on the line are all laughing, and I'm just shaking my head and wondering what Cris was thinking of. I guess he had nowhere else to put me. All I could hope was that the laughter was good natured.
I needn't have worried. Everyone on the grid understood what I was driving, and that there was not another car on that line whose engine was lass than 5 1/2 times the displacement of my snapping MinPin.
In an anti-climax to this part of the story, nothing happened. Evceryone gave me plenty of room and passed only when it was clear I knew where they were and they were going to let me do what I needed to. In at least one instance I tried to wave one of them by just as I would have been setting up for the next turn, and there were two of them behind me who were obviously fighting for position, yet the lead car simply shook his head and waved off my signal, waiting for me to go through the turn, before both cars exited behind me, passed, and then set themselves up for the dice on the subequent turn.
It was simply the most courteous run with the most powerful cars...a cohesive group of people well acquainted with each other and their own skills and machinery, without any need to "prove themselves" by taking away a turn from a car that could almost sit on the hood of any of these.
And one of those cars which passed me, was Dick Smith, who lapped me TWICE in the session...and it was just a joy watching him do it.
So the final step in this journey was my attempt to make sure I had his name right, and also to see how CSX 3181 did NOT match up to his Cobra in livery...to be simply stunned by the following article on the web site of the Washington Cobra group he was part of: http://wasaac.org/dsmith/dsmith.html .
I had no idea. How sad, and yet in a way, I can't help but envy him...while a tragedy of course, it is no less so than a dozen different tragedies that hit you in old age...and while obvioulsy doubly sad to go out that way with someone younger with you, for Dick maybe it really is not so tragic. I know nothing of what aging ailments might have plagued him, but his own life ending without lingering pain (hopefully) and instantly...is that more or less tragic than hanging on waiting for the inevitable, and maybe sufferiing greaatly along the way?
I really don't know, but it was a ashock to find out about losng him. That was NOT what I was thinking of as I was building this model as a tribute to him.
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