Coronado NAS Vintage Races and the USS Ronald Reagan

For several years I participated in a vintage race weekend associated with the Holiday Bowl celebrations in San Diego...during which the Coroonado North Island Naval Air Station across the bay from downtown opened their gates to the public for an open house and various events including those races. These were not the most successful events for me...the original course was so rough and inhospitable that one bump in particular broke a rear axle during the first practice and left me stranded “on course” as the Marshalls decided it was safer to leave me where I was til the end of the session rather than trying to tow me out into the race traffic. The Navy did listen about the issues with the course (some cars had their paint and windshields pitted by sand thrown off from the deteriorating concrete) and moved the location to a better part of the field. But that didn't help me with a second major issue that meant a thousand mile roundtrip tow for only a few minutes of on track driving. At an event at Sears Point earlier in the season I had noted that lubricant in the rear end was leaking onto the left brake drum and wheel. Correct, exact size seals were not available for the axles, and thus this was not uncommon to see with the closest substitutes available, though the amount seeemed unusually high. I sprayed the area with copious amounts of Brakekleen and figured that was the best that could be done. The issue did not seem to negatively impact handling nor stopping power. Sears is a clockwise course. Most turns there are thus right handers, and any fluid would naturally be thrown outwwards towards the left side of the vehicle. Coronado, though also clockwise, as an airport course had limitations set by the layout of runways and taxiways, and was a bit more balanced, so leaking fluid could be thrown to either side of the car. Being aware of a potential issue I checked under the car after the first practice run, only to discover that the rear end lubricant was now slung from the left rear all the way to the differential housing at the very center of the car. It was thus apparent that this was not simply a leaking left seal. A bit of a digression here is needed...the reason will become apparent in a moment. Bob Graham had “adopted” stewardship of me and the Siata...he was a “shade tree” mechanic in the most positive connotation of that term...capable of solving virtually any mechanical problem in a cost effective manner, usually with whatever materials he had on hand, though sometimes with questionable attention to some details or structural durability. Bob had decided, during some other work he had done on the car, and without asking me, that it needed lowering. Though this also resulted in tires scraping the rear fenders under hard cornering which has plagued the car ever since, the main issues were his methodology as well as the materials he used. The method included cutting and shortening the factory original struts holding the body to the front subrame...the materials issue was, rather then having correct length U-bolts made to attach the rear axle housing to the subframes he bent new ones out of hardware store threaded rods. These cheap rods are made by cutting the threads rather than rolling them...the result basically turns the U bolts into very effeective chisels, which had cut their way through the housing. Needless to say that, despite “advice” from at least one “expert” who should have known better, telling me to run the car, I thought it best to not risk either my safety nor further damage and chose to sit out the rest of the weekend. Sherri and Catherine had flown down to see Gary and me race, and though disappointed, once I explainied that I did not think they wanted to see me die or be injured if the whole thing failed totally, they accepted that possible reality and we at least were able to enjoy the rest of the Navy's hospitality for the weekend. That included a welcome dinner party at the Admiral's residence, served by formally uniformed Navy personnel and includied entertainment by a Naval orchestra. As with all these weekends, they ended with an Awards Ceremony held in one of the two “hangars” onboard one of the aircraft carriers home berthed at the base. The final event, for those interested, was a guided tour of the carrier under the supervision of navy staff trained for that purpose. Though I had been on more than one of these, starting with the non-nuclear and now retired USS Constellation and including the USS John C Stennis and others I've likely forgotten, the most notable tour by far was on the USS Ronald Reagan, at the time the newest nuclear carrier in the inventory. Thus it was easy to decide which carrier to model for my “personal history with” collection. After the Awards Ceremony ended we decided to take advantage of the Navy's offer for a guided tour of the carrier. We joined in with the next group to leave the hangar deck area, under the shepherding of an NCO who was both so far ahead of us at the tail of the group, so softspoken, and (apparently) so bored we could not hear a single thing he was saying. One of us in this “rear guard” noticed that there was a much smaller group following ours, and we could hear the enthusiastic speech of the sailor esccorting the group more clearly than our own guide, so we and a few other couples detached from our group and attached ourselves to his. Obviously the Navy was trusting of us as there was no “headcounting” or any other tracking of who went with which escort. What a lucky switch that turned out to be! The guide was a last minute sub and had not been briefed on where he could or should not take visitors...and thus we were quite literally “all over the boat” with him. I no longer remember the exact order so I'll talk about the tour in a “top to bottom” fashion. We would have started at the top of the command “island” (the Bridge), lterally standing at the captain's work station as well as the Commander of the Air Group” “office,” the CAG. We also looked over the navigator's work station before moving on to the flight crew ready room, with its very comfotable lounge chairs for the pilots. We also walked through both the officers', and then the enlisted staff's cafeterias. Meals are served 24/7 as the carrier, even while in port, is a 24/7 operation, though the Air Wing had, as is normal, been flown off before entering the harbor, and was either housed on one of Coronado's airfields or at nearby Miramar. We spoke with a number of sailors who assured us the food being served was as tasty and well prepared as it looked. We spent a bit of time on the flight deck and heard some interesting stories from our guide. He told us it was not uncommon for someone to get accidently washed overboard from the backwash from a jet engine. All deck crew wear buoyancy suits which automatically inflate when hit with salt water. They can also be triggered manually and it is apparently a common “newbie” ritual to pull the cord on some unsuspecting crewperson, turning them into an instant version of “Mr. Bibendium”...the Michelin Man. We were assured that in a true “man overboard” situation, though never achieved in pratice, all 5400 sailors could be acounted for, the boat turned in virtuallly its own length, and the survivor plucked from the water in well under 15 minutes. We walked through both the officers' bedrooms and the enlisted bunk areas...oseparate cabins for male and female flight crew...no coed facilities. At at the latter, a couple of the women in our group asked if they could see into the cabin and speak with some of the women. Our guide saw no reason not to accommodate this, and after politely knocking and announcing his presence, our wives stepped into and spoke with several of the crew...despite our new sexist Secretary of Defense these ladies were totally professional and capable, though as the Captain had told us earlier in the evening, he had always to keep in mind that he was in command of five thousand four hundred young people who were still in, or barely out of, their teens. The near final two stops I recall were the anchor room, with chain links for each of the two anchors made of metal as big around as my arm and weigh several hundred pounds each, and the arresting hook cabin. We learned that each arresting cable is attached to a hevy metal sled riding in a huge tank of thick oil. The tension is adjustable somehow for the weight of each type of plane to be landed...possibly by opening or closing bypass valves in the oil though I don't recall being told the exact process. We also might have toured the catapault launch cabin and perhaps I am mixing the story up a bit. The last stop was a sort of combination trophy and video room, where there is a movie recording of Ronald Reagan speaking about America's role in the world and how carriers like #76 supported his vision of that. There were photos of him on the walls, along with some banners representing the ship. We were, by a couple of houres, by far the last civilians to be waaved goodbye to by our young escort at the gangplank. In fact, the Shore Police guarding the gangway wre stunned that we were still onboard, having thought all civilians had been gone for some time. Though there are many stories I recall about Coronado and the racing weekends as guests of the Navy, our evening on the USS Ronald Reegan is well up there among my fondest memories.

1:720 Model I built of the USS Ronald Reagan

Luca di Montezemolo and The Monterey Historics

                                          

 Steve Earle did not create the Monterey Car Week in the last week in August. The Concours at Pebble Beach had already been in existence since the end of racing through the pines there by the time of his frist historic race gathering in 1974. But he was in no small part the gudiing force in its development into what quickly became, and largely remains, one of the premier sports car and automobile racing events in the world.

Steve developed the idea of a paid attendance vintage racing event as an outgrowth of his membership in the Ferrari Owners Club. Like a number of other members, Steve had a fair amount of inherited wealth and chose to spend some of it on old cars, many of them racers, and a number being old Ferrari race cars. Having spent some time in Europe (he even raced at least once at LeMans), and also doing some of the Concours with these (including Pebble Beach), he was bored by the latter and intrigued by the vintage race scene on the Continent, but wanted a more casual atmosphere where peoople could actually hae open access to the cars and their owners.

So he put up some of that inheritance, rented Laguna Seca on an open weekend in August, and invited some of his “car buddies” to come out and play. This included the Ferrari Owners Club members...the club had a tent set up on the top of the Corkscew Hill by the scoring trylon, and made it a club event. In fact, if not for the financial support of the FOC the whole thing might have never gotten off the ground.

You can read that history in almost any car publication...for example: https://www.supercars.net/blog/the-first-historics/2/. Note the exclusive “all Ferrari” front row with Stevve and my first driving instructor David Love's cars leading the pack. As you can, no doubt, notice from the photo, all but two of the cars were Ferraris. 

Steve decided to honor a single marque for each MHAR..thus was born the tradition of every tenth year, ending in xxx4, honoring Ferrari. An easy choice as no other manufacturer was both born in competition and stayed true to participation throughout its entire history.

Steve's success was basd in no small part on him honoring the entire history of motorsports and not just the major players. Thus it was that except for one year when I took the Siata cross country to race, and on one other occasion, my entry was accepted for every year from my first restoration of the car in 1984(?) through my last entry, which was also the year the founder of the event was ucnerimoniously kicked to the curb after growing it into the premier event of its kind in the US.

As noted elsewhere in this blog, Ernie Mendicki was my mentor in many of my automotive skills and the source of much of my knowledge. With only a very modest income as a forms salesman he had managed to own and accumulate a stable of cars that most of us can only dream of. I don't recall exactly which models he owned while he partipated in the MHAR, but I'm sure it included the 250 Sport, the first 3 liter V12 and winner of the Mille Miglia in 1952 with Giovanni Bracco driving all but one of hour of the event, fortified by many sips of brandy.

        

            

You can read about the car here: https://www.supercars.net/blog/1952-ferrari-250-sport/

For a number of years I could only attend the MHAR as a spectator, though membership in tehe FOC did grant me VIP access. At one event the FOC was invited to bring their cars from the “corral” display area for an on track exhibition...which turned into the world's largest Ferrari parking lot, with something like 200 cars on the course. At the time it was believed to be the largest gathering of Ferraris in one place. That must have been 1984, because I bought the Siata shortly after and began my stint in vintage events. I do recall sitting in traffic trying to come up the hilll from the highway to the paddock...the only time the 2+2 overheated. Sherri asked me what I was going to drive at the next Monterey Historics and I replied “the Siata.”

So I am guessing it was 1994 when the Great Gold Chain Caper came off. But by then the qually great Hat Caper had been long established as a tradition at the after party, held in the intimacy of the old amphitheater up on the hill above the front straight. It was the perfect gaathering place for the warm afterglow of a successful race weekend for me...having driven and finished well and, as old friend Terry Matheny used to say, not having madde a fool out of myself infront of all those spectators. I even was once recognized by Steve for the best performance and presentation on my class...a small “trophy” I still display proudly in my shop.

The hat caper was actually set off by Al Moss, founder of Moss Motors, one of the earliest American sources of parts for British sports cars. Al was as untouched by fame and glory as was Ernie, most of the time driving a three wheeled Morgan which used to scare the hell out of me trying to pass. It was impossible to tell which way the damned thing was going to jump when it hit the tiniest imperfection in the track surface.

As Al was called up to the podium for an award, on impluse he grabbed Ernie's cowboy hat on the way up, then swapping it for the cap Steve was wearing. And from there we were “off to the races...” with the rul being you did NOT get your hat back at the end of the ceremony.

That caused problems at least twice. On one occasion I had a young nephew with me, and somehow his cap (Miami Dolphins as best I recall) wound up on Vic Edelbrock's head, and Vic's signed cap then wound up on my nephew's head. He was quite upset until we convinced him that Vic was famous and respected throughout the car universe.

The second time was when Carroll Shelby was the guest at the podium with Steve, helping to hand out awards. This was another tradition Earle started (and yes, I will eventually get to how that ties in with gold chains and Ferraris). I'm not going to say where exactly THAT hat, complete with British Racing Driver's Club patch on it, wound up...but I hope his heirs realized what it wwas and didn't just toss it. 

Shel was NOT amused and tried to get it back and we had to get the recipient to keep his mouth shut by threatening to drown him if he tried to give it back. Shelby eventually was able to talk the BRDC into giving him another patch.

So the guest for the weekend in question was none other than the Chairman of Ferrari, Luca di Montezemolo, dressed as nattily and as well quaffed as in this photo: 

At the time of the event, the California chapters of the FOC were the two biggest Ferrari clubs in America, and likely the world. Unlike the Ferrari Club of America (FCA), ownership of a Ferrari was a requirement for membership. There was always a recognizable difference between the two chapters. Sherri and I used to say we could walk into a cocktail party of the two chapters and immediately piock out the SoCal members by the hairy chests of shirts open to the waist to display heavy gold chains with large Prancing Horse medallions. 

Thus it was that Ernie decided to poke fun at that kind of pretentiousness. In addition to his usual Chambrey shirt, overalls, and cowboy hat, he decided to adorn himself for the Awards Ceremnoy with an “appropriate” gold chain. I don't remember a horse medallion, but the one inch galvanized chain, painted with gold leaf paint, draped over his haat and down his shirt, was pretty glaring...,particularly when he was called up for some award or another.

Maybe Montezemolo didn't get the joke? I prefer to believe he was just too cool to allow Ernie and the crowd to see any evidence of shock.

Come to think of it, I don't recall any standout reaction from the crowd either. The thing I always loved about that world in those days, was that literally no one was there to show off anything other than their love of driving those wonderful old cars as they were meant to be shown and appreciated. It did not matter who you (or your daddy) was, what you did for a living or owned, who you had married, or anything else. To paraphrase a very successful political saying for a Presidential election...

“It's the cars, stupid!”

Two Stroke Nostalgia

After literally decades sitting neglected, I decided to try a refresh of my old bike. It was partly just to have a proect to work on, partly in fear of Sherri''s contiuing threat to have my ashes buried in it, and largely because I had designs of riding again (see “Ashes in the Handlebars”, July, 2018). 

Though the refresh was successful and I did ride some, sanity returned, the family expressed their appropriate “concern” (are you crazy? Was a closer quote), and I realized that, at a minimum the 750 Suzy was probably a bigger ride than I should be attempting. 

To sort of compensate, as I had already returned to model building to help while away my remaining time on this planet, in light of the restrictions my half artificial spine was imposing on me, including a number of motorcycles which intersted me. And of course these included a number of Suzukis.

And many of these are two stroke models. Suzuki was, IMO, the most successful builder of two strokers for the American market, and was still exporting them into the country for some time after I bought my 750 four stroke bike from them in 1977. 

In fact, if I DID ride anotgher bike beside my GS, I would like a “popcorn popper” of some sort, likely no bigger than a 250. My last two stroke Suzy WAS a 250, and still ranks as the best bike I owned other than the GS. It was light, responsive, quick, and easy to live with. Though by today's standards the brakes and handling were marginal and you REALLY needed to understand that while it was easy to “wick it on,” getting it hauled down from its top speed was another story entirely.

I recently purchased a kit of a Suzuki 500cc two stroke racing bike, in a much larger scale than the rest of my miniature “fleet.” It will be the biggest of any of the bike models, as well as the largest displacement motor using that technology. It represents the pinnacle of that extinct breed, killed off by the need for environmental controls that appeared increasingly unlikely within any rational cost and price formula.

My favorite still remains the bike in this photograph of the model I built...the RG250. While I would be more than happy with my old X6 250, to the best of my knowledge there is no model available for that bike and so...

Yes, it's a model
Sitting on my workbench...
Dammit

What is behind my love of these ridiculous sounding, ridiculously high revving, rridiculously low torque motors? Quite simple. I'm a little, low strength guy, and it is possible to get more performance for less weight than any “normal” four stroke bike could offer.

Consider this...at under 300 pounds and with 29 little horses, my X6 would hit 30 FASTER than my 512 pound leviathan of a 750, and was less than a second slower to 60. Sure, from there to 100 the GS would eat the X6 alive, and at 100 it ws done and the 750 would not even be breathing hard. But I can also say that the X6 was the only bike I evern ownned whose acceleration was so sharp and, perhaps even qualified as violent, that the first three gears went by as quickly as I could twist my wrist and move my left foot, and it was all I could to keep the bike from literally leaping out from under me, while I slid backwards until I was almost sliding off the back of the seat.

The first time I took my roommate's out, which convinced me I wanted one, it was ou on the Millhopper Road outside of Gainesville, and it literally left me breahless. And two stroke motors were so simple I literally took one apart and scraped the carbon from the cylinder head in my living room.

As the years went by the bikes did become more complex, adding (still simple compared to four cycle motors) things like rotary valves and even water cooling (not visible in the photo there IS a radiator buried inside that fairing), which much softened that popcorn popper whine four stroke guys just hated. 

But it was environmental responsibility which finally killed them off. It was no longer justifiable to run motors which had to burn oil along with gasoline to run. I don't know why the tefchnology required that, and it doesn't really matter. Were there a somewhat more civilized version of the RG, with a two up seat, reasonable but not crazy power, and less costly than the many thousands these things bring (IF you can find one, that is), I'd be sorely tempted.

Just kidding

I think.

Suzuki RG 250 specs: 49hp, 287 pound dry weight, 6 speed transmission, 100mph top speed

Suzuki X6 250 specs: 29hp, 297 punds, 6 speed transmission, 100mph top speed hmm...seems familiar 

Cobras to the Left of Me, Cobras to the RIght, Here I AM ..Stuck in the Middle

 I think I've heard that song before.

My sister, feeling badly about my major spinal issues and pains, and how they have narrowed my life, picked up a couple of car kits from a neighbor's yuard sale collection. Among them was an old Monogram kit of a 427SC Cobra, specifically CSX 4031. While not his car, I immediately thought of one of three people with similar or identical cars, and how their worlds and my own intersected deep in my past.

But first, a bit of background. One of these individuals was Mike Tangney, a backyard mechanical "genius" whose work and one of his cars crossed my path some 40 years ago. You see Mike not only did much work on my Siata when it came west from a long sleep in Pennsylvania in the early 1980s. Among other great work he did on the car, he fabricated a replacement for the turtle decck which had been cut out some decades earlier in order to make the car into one of the world's ugliest convertibles. 

But there was another intersection with MIke, because at the time he owned and vintage raced a highly unusual car...one with direct predessor links to the AC ACE, whose body and frame graced not only the unique AC Bistols, but also, with a Ford 289ci V8 grafted in, the AC Ford/Shelby Cobra. 

This car was a different beast under the skin, but the body, crafted by John Trojiero, became, under his refinement, the lovely cuurves gracing the ACE. And yet there was even more strangeness than that, linking Trojiero and the ACE to my (barely) contemporary or earlier Siata.

You see, John learned his craft in Italy, working in the Bertone shop panel beating both "production" and "one off" bodies for the many car manufacturers trying to get a foot up in early post-war "Motor Valley" in the northern part of the country. 

Though not a for sure fact, it is entirely possible Trojiero had a hand in the work to design and fabricate the 300BC bodies Bertone put on the modified Amica chassis Siata supplied, when it was clear that the small tube frame put on the Orchidea prototype for the 300BC was not workable for an albeit limited, production car given the welding technology of the era. Only  Maserati was successful, some eight years later, with the small tube welded frame for the legendary "Birdcage."

So it is, perhaps, no coincidence that the 300BC is sometimes confused for the ACE or 289 Cobra. From a distance and looked at quickly they appear remarkably similar. 

So...the Trojiero Special to the 300BC Siata to the AC ACE to the 289 Cobra? Could be. All four, BTW, used the identical transverse apring upper link suspension setup, original to the even earlier Fiat Topolino...the famous "Little Mouse" of the late 1940s.

At any rate, the relationship continued, from one "John" to another. Mike Tangney also worked on at least one of John Lewis's cars. My relationship to that John (The world's oldest teenager even at his death some decades ago) winds through this blog in other posts, so I won't delve too deeply into that here, other than to say he was one of my very closest friends, and I miss his unique style to this day.

So let me (finally, you say?) close the link. John (my John...Lewis, not Trojiero) owned a series of cars in his life, and at one point this included a pretty, though somewhat...less than 100% in terms of condition...AC Bristol...thus the link to Mike Tangney and that whole back story, as Mike had his hands all over the AC in one way or another. Here's a photo I took and gave John for a gift at some point, given back to me by his daughter after he died.

This was shot at the public school in Virginia CIty used as a staging area for the Virginia City Hillclimb event. 

Let me use the photo as the next link in the story. John was, like most of us in the era, an enthusiastic driver but not experienced in actual competition driving. Both of us were members of the Bay Area Chapter of the Ferrari Owners Club, at that time probably second only to the Southern California chapter in having the greatest concentration of Ferraris on the planet...seriously. And every year the chapter joined with the Bay Area Cobra Owners Club to operate a hillclimb event in Nevada. 

This was a pretty complex affair to organiaze and run, as I learned both by volunteering as part of Start Control as well as working a corner multiple times and also helping then President Doug Fonner in a trip in his 308 Ferrari to get the required permits and volunteer help for comunications.

The course was  5.2 miles, climbs 1200 feet, and has 20 numbered curves as well as long straights, finally crossing the old Virginia and Truckee railroad line via a pretty dangerous overpass. It also crossed county lines and thus required permits and police support from three different agencies, closing the road to public traffic (the alternate route was a more gentle road used by commercial traffic, but this also became our cooldown return to the starting area after a run.

  The cars were started at intervals to hopefully avoid passing and also make sure we could shut the course down quickly in case of an incident, before a succeeding car arrived on the scene of the problem. And problems there were.

  In fact, as I became more skilled I came to realize it was by far the most dangerous event I ever did, with potentially fatal dropoffs and little margin for error on turns, plus that tricky overpass with its change from macadam to concrete just after the final turn. There were many "near misses" and cars "hanging over the edge' (almost includidng mine...see  https://martinodipietra.blogspot.com/2017/01/nevada-insanity.html  for that story.

  On the day which brought the links of this story together, Sherri and I were working one of the turns, though time has erased exactly which one. I know there was a straight out of the following turn which contained a rock wall, but we had to rely on a local shortwave radio club for turn to turn communication as no turn could see the one before or the one following. 

  So all we heard was the crash when John's AC hit the wall coming out of the turn following "ours.". Even before we were told over the radio to do so, I reached for the yellow flag, only to have the wind whip it off the pole it was supposedly attached to, leaving me no choice but to reach for the red, even as the sound of the following car became a crescendo which seemed to suck the entire atmosphere off the hill, down the throat and out those huge side pipes of Dick Smith's 427 Cobra...California vanity plate "Litsmup" or maybe it was "litesmup?" 

  Anyway, I'd never seen (or heard) anything like it. Yes, I know a 427 can go from 0-100-0 in 10 seconds...but I'd never before seen anyone actually do it! It just stunned me.

  That was my first, but just the beginning, of my ever growing respect for the man. I was to meet, and watch him, at many subsequent FOC/Shelby Club track days, and on to many years in vintage racing, finally losing sight of him as my own particpation in that world became limited by age and back issues.

  Watching Dick was an incredible thrill. Most of the guys that drive and even race Cobras can barely hang onto them. They take a turn in a true "point and squirt" fashion, tiptoeing around a turn lest the rear tires light up and the beast becomes a dragon, then stepping on it and firing off like they wre shot out of a gun once lined up on the following straight.

  Hell, I could easily pass soome of these guys in any turn, and once did it just to say I had, but in general, what's the point? On the following straight they would just disappear from view anyway, so why bother?

  But Smith was something else to watch...the smoothest driver of a Cobra I've ever seen up close. He acttuallly DROVE it around turns, just as if it was my Siata. Never a wheel chirp and just as smooth as silk. Just stunning...and he was ALWAYS at the sharp end of the finishing order, if not, as he mostly was, in first place.

  So the final link of the story that began in Torino around 1950, was an early Spring HMSA vintage race weekend...maybe in the  mid to late 1980s. This is an event I always loved.

  Laguna Seca in the Spring is my idea of heaven. The later usually gold hills are green, the weather is cold and could be rainy but never washed out the event totally, the people that raced with HMSA were always "gentlemen" in the true sense of the word, and I never worried about being on track with bigger and faster cars...and the early Spring (March) timing made for a relaxed start to get drivers AND cars "in tune" and ready for the season, after what is, for most of us, a winter's sleep.

  A time to "get the dust out" of cars and driving skills. A time to relax and have fun. A time to...maybe check and see what cars I would be grouped with. Unfortunately, for this particular meet, the grids had not been printed. So I flagged down Cris Vandergrif, the race organizer and the owner of HMSA, as he passed by on a motor scooter.

  Who am I gridded with?"

  "Not sure, but don't worry about it. Just a bunch of small bore cars like Alfas and such." (This was before the days of using more modern tech to hotrod cars of any era to way exceed their historic performaance, often vastly exceding the abiltiy of their brakes, suspension, and wheels to manage the increased power).

  So innocent me toddles my tiny, snarling little ride up towards the gate entrance to the hot pit lane, just this side of the wall to the track itself. But now my view of the grid is blocked, as it would not be before they were built, by the row of garages, occupied by crews supporting gjuys with more serious cars and/or money. All I can see until I pass the garage wall is...concrete...UNTIL...

  Oh S**t! Nothing but Cobras and Corvettes as far as I can see. So now I am directed to tuck in my snapping little terrier right next to...a 427 Cobra. Not Dick Smith, but what's the difference? The guys on the line are all laughing, and I'm just shaking my head and wondering what Cris was thinking of. I guess he had nowhere else to put me. All I could hope was that the laughter was good natured.

  I needn't have worried. Everyone on the grid understood what I was driving, and that there was not another car on that line whose engine was lass than 5 1/2 times the displacement of my snapping MinPin.

In an anti-climax to this part of the story, nothing happened. Evceryone gave me plenty of room and passed only when it was clear I knew where they were and they were going to let me do what I needed to. In at least one instance I tried to wave one of them by just as I would have been setting up for the next turn, and there were two of them behind me who were obviously fighting for position, yet the lead car simply shook his head and waved off my signal, waiting for me to go through the turn, before both cars exited behind me, passed, and then set themselves up for the dice on the subequent turn.

 It was simply the most courteous run with the most powerful cars...a cohesive group of people well acquainted with each other and their own skills and machinery, without any need to "prove themselves" by taking away a turn from a car that could almost sit on the hood of any of these. 

And one of those cars which passed me, was Dick Smith, who lapped me TWICE in the session...and it was just a joy watching him do it.

So the final step in this journey was my attempt to make sure I had his name right, and also to see how CSX 3181 did NOT match up to his Cobra in livery...to be simply stunned by the following article on the web site of the Washington Cobra group he was part of: http://wasaac.org/dsmith/dsmith.html .

I had no idea. How sad, and yet in a way, I can't help but envy him...while a tragedy of course, it is no less so than a dozen different tragedies that hit you in old age...and while obvioulsy doubly sad to go out that way with someone younger with you, for Dick maybe it really is not so tragic. I know nothing of what aging ailments might have plagued him, but his own life ending without lingering pain (hopefully) and instantly...is that more or less tragic than hanging on waiting for the inevitable, and maybe sufferiing greaatly along the way?

I really don't know, but it was a ashock to find out about losng him. That was NOT what I was thinking of as I was building this model as a tribute to him.

 

Trailer Trash

Or, more precisely...trashed trailer.

The race weekend went just fine. To ease the effort needed to prep the car, get it to and maintain it while at the track, reload it and drive home, Adin suggested not using the camper, staying in a motel, and renting a garage on pit row. All good suggestions and, with his help, it made the event much less demanding onmy aging bones and back.

Siata in Garage after its dozen lap excursion

I had not been on a track in two years, so my goal was to refresh myself and also be sure the caar was in solid shape to begin refitting it for entry in the Mille Miglia. This is a 1000 mile open road time and distance rally honoring the original road races held from 1927 to 1957,  when it was stopped due to the carnage which often resulted. It now is an expensive, but magnificent opportunity to drive freeely on some pretty magnificent rural roads and through many fabled medieval towns such as Siena and Florence...literally a once in a lifetime opportunity that has been on my radar for decades.

The weekend was spent dodging raindrops (some quite forceful). I actually only ran one of rhe four possible sessions I might have. The first was at 9AM on Friday, which would have meant an extra overnight or a very early drive and I was not up for either. So I was first on track in the second session, Friday at 1PM.

There were only half a dozen cars which went out, but even then I wounmd up last, running around on an apparently empty track. The only other sub liter displacement car was my engine builder Lee Osborn's special, and even it is way faster than the Siata. Though I can claim a 6th overall and second in class that is a "wink, wink" answer to the general public's inquiry as to how I did. 

I did have two other opportunities to run, but passed on both. The first was Saturday morning and it was on and off haard showers and not only a very wet track but a likelihood you would get dumped on while driving...drove in pouring rain only once, just to day I did it, and learned mainly that "cold, wet, and scared" did nothing for my enjoyment. So pass on that one.

The afternoon could not make up its mind as to what it wanted to be. Once minute partial sun , the next pissing rain and cold. As it turned out, after I decided to pack it in and was on the highway returning to the motel it got reasonably nice out, but I have no regrets. I am superstitious enough to think that reversing  decision at the last minute is just testing the gods and asking for trouble, whivh I don't need. The watchword for the car at this point in my life as well as its own, is preservation.

We had a nice meal and chat with Adin at Tarpy's...we had never before eaten inside and it has been decades since we were last there. We also decided to spend a dull night in what used to be the Way Station, by the ariport and closest place to the track...also a place we had not been to in many years. 

After breakfast Monday morning we were on the road...I decided to tool up CA 1 to Watsonville and across to pick up Pacheco Pass, the latter being the way we had come in. This actually was much more pleasant than the section of 101 we otherwise would have been on, and even with some heavy rain at times it was more relaxed for me. In no time we were on I5 headed north towards home.

And then...bang! Or really, no drama at all that was apparent. I felt a very slight sort of tremor, and when I looked in the mirror I saw a wheel raoaring along in a lane over and a bit behind, though catching up. I remember thinking at first it could not be mine, as the trailer was still merrily rolling along and on the level, but it was quickly apparent it did have to be off my rig. I gradually slowed, the gyroscope effect tailed off and the tailer tilted to rie on the brake drum as I maneuvered towards  the way too narrow shoulder, watching and hoping the wheel did not cause damage to anyone or wind up with cars inn a ball trying to avoid it. Miraculously that workd out.

Now what? Of course it was the right side I lost...so to try and even look at the camage mant exposing myself to traffic whizzing by at 70 or better, with absolutely no one changing lanes for their own and my safety. 

SO...now what? No way to do anythng where I was. Nice young black guy...Caribebean descent possibly, pulling his own little trailer, stopped on the shoulder ahead of me,  I saw him as I waa wrestling the tire up from the roadside ditch and back to the car 1/3 of a mile away. He graciously offered to put his truck in the slow lane to get traffic over while I pulled ahead on the shoulder so he could follow me off to a safer location.

We ultimately wound up at a poor looking gas stationin French Camp, surrounded by Latino farm workers in worn out clothes. Several of them offered to help find a mechanic who might work on the trailer, but of course on Sunday this would be a miracle if it happened.

Still, why is it that those with little resources of their own are the very ones o offer to help? They didn't ask who I voted for or what I thought of immigration...they just reached out to fellow human beings in trouble. It was the highlight of my day and well beyond, and made me embarrassed for our relative indifference to the plight of people who are oot white children of great privilege such as we.

The towing company also was more than just mildly helpful. While costly, they let me store the trailer in their yard while I tried to find someone who could work on it, or until I could get parts and work on it myself somewhere, those thesee litiginous days it was unlikely any firm would let me do so on their property. 

Storing the trailer meant unloading it from the flatbed tow truck and reloading it the next day. I had watched the sympathetic driver do the loading and even helped make sure there was enough clearance, so I knew this was no small task for which the company could justify charging an extra fee, but did not.

And it was the towing company who suggested a possible solution I would never had though of, after the biggest camping specialty company in the US said they would not work on the trailer. Not a glowing endorsement of a place calling itself "Camping World." There are a hell of a lot of RVs running around pullling cars for local use in trailers or on dolls, and that lack of service by such a spacialty company was shocking.

Of all the places I would never have thought of, it was Les Schwab in Manteca who took me in. I had alwasy considered the company to be a low and and kind of shlocky place...sort of a "Pep Boys" of the tire world. Instead I found people who went out of their way to help, both empathetic and pleasant. 

While the trailer continuses to just baffle me-this is the third time some sort of wheel oroblem developed while traveling- the adventure was a very positive verification that the angry hostility of the ightly news cycle is out of whack with the realities of humanity in the flesh. There are very good people in this country, and in all possible modes of ethnicity and heritage.

Les Schwab, Manteca California

Model Building

So what do you do when you are too old and decrepit to do much wrenching on cars and motorcycles? In fact, I am perhaps, even too old and weak to ride the Suzuki I recently brought back to life after a "sleep" of more than two decades (see "Back From the Dead, August 5, 2021"). 

Well,  the answer to the second sentence may be obvious...sell the Suzy and buy a smaller, lighter machine with comparable performance. Of which there are many, all two strokers built before the tightening of pollution laws in the 1970s). It is easy to envision a Yamaha RD350 variant, or even a Suzuki T250 or X6 sitting where the GS is today. In total insanity a Suzuki RG250 is a gorgsous and not totally impractical replacement...though it will be like selling one of my sons to see the 750 go. 

Yes, it's the model I built and not the real bike
Would you have known if I didn't tell you?

But I have returned to an activity of my childhood (don't we all, at some point?)...putting together plastic model kits of various interesting vehicles. This actually started as what I thought was going to be a prelude to returning to the model railroad and continuing to debug the electrics (always a weakness with me) and finishing another town (see the two posts on the Sierra Northern from May and July of 2020...but has now turned out to have taken on a life of its own.

As a youngster I of course built a number of cars and planes (no boats I recall other than one aircraft carrier) from plastic kits made by Revell or Monogram mainly, with the cars coming from AMC. Many of the builds were military items from WWII...at one time I had a fairly complete little "army" of figures, trucks, tanks, and artillary. Enough to construct a second unit with tacked on bits of tape upon which I had drawn swastikas to represent "the enemy." A friend and I would then hold mock battles between these armies.

But my current attempts started to see if I could reinvigorate my skills to work in small scale. I had actually become intimidated by my N scale railroad, as every time I touched a car to return it to the tracks my hands shook so badly it was frustrating and took three or four times the effort it did when I was younger and could even see the damn things! I was afraid what my neurologist said was normal tremors and not a sign of developing Parkinsons would prevent doing anything further on the layout. 

And if you can no longer do any of the activities which have given spice and meaning to your life it is hard to see the point of contiuing with that life.

The first kit I attempted actually came about due to a book I had just finished. Reading is, of course, a passive activity, and though I am a pretty avid reader it is hard to envision my life without active "handiwork." So when I finished a Kindle bargain book I had bought on the development of the P51 WWII fighter ("Wings of War: The World War II Fighter Plane That Saved the Alies and the Believers Who Made it Fly") I decided to build this historic plane. actually this would be my second "modern era" kit, as I had first completed a large scale Saturn V moon rocket meant to represent Apollo 13, IMO the most important Apollo of them all, even eclipsing the landing of Apollo 11 and the moon circumnavigation of Apollo 8.

All stages come apart
Note the workmen on the base
and the Two Stage Lunar Module
The labels indicate the crew and serial numbers of the components
Custom painted to match photo of real ship

Why? Because the amaxzing ability to improvise and solve the issues of that crippled craft was a testament to the skill and procedural thoroughness developed and refined by NASA, which is now the template for solving complex problems and failures of technology. Though the scenario that occurred on that journey was never planned for in the NASA guidebooks for the flight, the devlopment and rehearsals of the problems that were executed and documented in the flight plans underlay and supported thoroughly the solutions to those problems that saved three lives and justified the intense and costly work that went into that planning.

The world of plastic models has become much more refined over the decades. In particular, as I read about available P-51 models, the D (later) version of the plane made by Tamiya in Japan was a standout, offering high detail and multiple variants of the bubble canopy variant of this landmark plane in a scale (1/32) big enough for me to have some confidence in being able to handle.

The sheer number of parts in the kit were intimidating...probably north of two hundred. Even using a magnifying headset painting some of these required bracing my unsteady hand, taking a deep breath...and holding it while using a brush that was little more than a single hair. And I think Tamiya must be imitating the Gillette razor theory, where the cost of the paints (think razor blades) almost equalled the cost of the kit, though thankfully my friend Lee gave me his supply that was left over from a project to provide a headstart. 

I also wanted to try and replicate a plane that might have seen action on D Day...but I could not find decals of the black and white "invasion stripes" used to ID Allied aircraft for the event. So after decades of gathering dust I dragged out my Wren airbrush and first painted the entire areas to be striped pure white. I then laid masking tape (more Tamiya speciality stuff) over what would become white stripes, and overlaid the area with black. While not perfect, neither were the last minute applications made on the real planes. So for my first deep dive back into this world I was more than happy with the outcome, even cutting and pasting together decals from various sets to avoid inaccurately displaying a "real" participant in the battle (some observers and modelers are real nit pickers for authenticity).

The detail of this beast is incredible
All control surfaces move
All engine cowling is removable and attaches with tiny magnets
The canopy slides open
You can open the machine gun bins to see the guns and ammo
A complete set of wheels and gear doors are included to change the display to "on the field"
The cockpit has full instrumentation and controls
The plaque behind the plane is a B model given to me by a friend whose uncle worked on them

With a good dusting off of long dormant skills provided by this excellent kit and outstanding plane I got enthused about re-reading one of the best war novels I have come across, a well researched one centered on the Battle of Britain. "Piece of Cake" then led to me trying my hand on the most iconic British fighter of the war, the SuperMarine Spitfire.

My decision to keep these models in the same scale led to the conclusion that the only models available in 1:32 were later variants than the version involved in those early battles. But since they are all visually quite similar in the wing design the charactreized the model, I naturally chose to stick to the Tamiya line.

The biggest challenge of this model turned out to be the painting, in particular the camoflage that it seems all British fighters used, though with differeing color schemes and patterns. The first headscratcher was, of course, how to mask the plane.

Making off the fuselage in order to paint the bottom of the model was not an issue, as the entire area was painted to represent the normally soft blue/grey tint of English skies. Of course, yet more expensive Tamiya paint was involved.

The real challenge was the camo, which covers the entire rest of the plane. I finally based my attempt on the technique I used for the "invasion stripes" on the P-51...do the entire area in the lighter color, mask off what areas were to remian that shade, and then spray the darker color over the entire area.

The big issue was how to create masks for the varied sections of camoflage. Though I quickly abandoned the try at exactly  duplicating the pattern of the plane which graced the Tamiya box, I did develop a very workable approach which I could easily apply to any future builds. 

I laid regular old blue Scotch masking tape in overlapping strips on a sheet of glass. Then I drew outlines freehand of various areas to receive the darker color, and cut these out with an X-Acto knife, then laying the resulting pattern on the plane. The result is shown in this photo.

The final step was then oversparying the entire surface with the darker of the two colors. When the tape is peeled off the areas that was under it would remain the lighter color, and the finished product is shown in the second photo.  

Pattern in tape laid on lighter color application 

Though the result came out even better than the 51 as my old skills were dusted off and new ones were developed, I was aware that while the Spitfire got the glamour and accolades for what became known as "The Battle of Britain" the real success of that effort was acheived by a somewhat more "Plain Jane" workhorse of the RAF: namely the Hawker Hurricane.

FInished Camo Pattern

Unfortunately, Tamiya does not make a model of this plane in 1:32 scale, only in 1:48.

The Hurricane would be a leap of faith, as the model is not made by Tamiya, but a company I had not heard of, Trumpeter...out of China. 

As it turned out the model was quite acceptable, though not quite up to Tamiya's refined details. The main issue in terms of building challenges was the comparatively crude and oversized attachment point of parts to their supporting sprues. The model was a clear attempt to challenge Tamiya, but it really doesn't. On the other hand, it did cost less than a comparable Tamiya version would have, and still encompasses enough detail and parts assemblies to be far more than an easy "shake the box and drop out a model" type of kit.

So far I have completed two other WWII aircraft. The P40 (later M version) was a plane whose attention attracted me as a kid, when seeing pictures of the famous shark mouth "Flying Tigers" planes. The other was a dive into US Navy planes. I was attracted by the Tamiya Corsair, both the model and the real plane, with its characteristic gull wings, but I was not at that time ready to pay over $100 for a kit. So instead I bought another Trumpeter kit, of a plane I was not familiar with, the F4F-4 Grumman Wildcat. 

        

Hawker Hurricane
Note the lack of color on the canopy
Trumpeter did not supply a painting mask
nor did I look for an aftermarket one

    

Curtis P-40M

Grumman F4F-4
Really nice Trumpeter Kit
Open box bargain that came with a canopy painting mask the seller threw in
Yes, the wings do fold and the gun bay covers are removable

The first picture in this post was evidence that I did not just stick with building planes, with their large fuselage and wing surfaces. In my search for models I found, of course, cars, motorcycles, and even boats, though these of necessity are in smaller scales and I have not checked into them. In fact my first dip into something other than 1:32 planes was to build a kit for my friend Gary, who was struggling with what would prove to be his last illness. 

The Lotus 25 was a very successful Formula 1 racer in the hands of Jim Clark. The model is very delicate. In particuar there is a ton of fragile chrome plated parts. Though the normal procedure is to scrape off the mating surfaces where the glue is to be applied as cement will not stick on the chrome, many of the parts are so small and fragile this is, or at least was for me, impossible. In looking back I should probably have used Zap A Gap "super" glue on these, but it's too late now. Though the body is removable (just like the real car) and the front wheels steer, I handle it as little as possible, afraid to knock something off. 

I am most proud of the way the paint flowed on-very realistic, glossy, and even. I guess maybe the ridiculous $12 for a can 1/4 the size of regular paints might be justifiable after all.

   RIght now I am working on two more...the Tamiya USN Corsair of WWII, which is an amazing and highly detailed kit, and a model of the two stoke, three cylinder Suzuki 380, which is as close to the various real bikes like it I've owned that I could get in a model, by Hasegawa. See "Ashes in the Handlebars" if you're curious about the bikes in my life, or  "The X6" or, as mentioned in the start of this article, "Back From the Dead."

My hand shows the small size of this beastie

The finished model
Sitting on top of it's box
The driver shown is Clark
Now Protected in my display case

Ferrari 4219GT

 https://mycarheaven.com/2022/09/the-beautiful-1963-ferrari-250-gto-4219gt/

This is going to be another one of “those” stories. Though I have not thought about this car in years at one point I not only saw it but literally crawled all over and through it. 

It happened like this. My 250 2+2 was serviced by Modena Motors in Redwood City (now long defunct). Originally owned by Jef Provost, who along with the Motorsports Writer for the SF Chronicle ran one of the early vintage racing organizations in the US, it was taken over by a good friend from the Ferrari Owners Club. Bill Morton was in QA for a Silicon Valley firm (I think it was Fairchild Camera, one of the tech pioneers of the Valley) but his love for things Ferrari led to the purchase and management of this shop which was devoted to the brand and other Italian exotics. Bill was also a neighbor. He and Judy lived a mile or so from us in San Carlos and their friendship played a major role in our decision to purchase our car and join the Ferrari Owners Club.

One day when I brought our Ferrari in for some service or repair, I pulled in behind the building and next to a dark blue GTO. A couple of things caught my attention (other than the sheer loveliness of the design, of course). The color was unusual, and there was a small light on the driver door which was meant to illuminate a race number during night events, meaning the car was intended for long distance endurance races such as Le Mans. 

Bill’s mechanic came out to take the keys to my car from me and I asked who owned this lovely beast. I was told the fellow’s name was George Dyer and that he lived in the wealthy Peninsula enclave of Hillsborough and that no, the car had never raced. I was also told that the car had been owned by Dyer since new. According to the above article and other sources neither comment seems to be true. 

At any rate, I asked if it was OK to look over the car more closely, and with the mechanic watching carefully I visually inspected the car from stem to stern. It was in excellent visual condition and did indeed look like it had received only gentle street use. 

For some reason I was curious to know its serial number. I had failed to look at the VIN plate on the firewall while inspecting the engine and did not want to open the hood again, so we opened the glove box to find the California registration for the car, which was street licensed. To my shock the number was 4219GT.

Why the shock? As I learned about company history and oddities I had found that at least the production cars, and likely all the cars, were built on a single line. In those days Enzo had a little quirk to differentiate cars built for racing had even serial numbers, and most had red cam covers (hence the original designation as “Testa Rossa” which is literally “red head”). Production cars all had serial numvers ending in an odd digit. These usually had a two letter appendage, generally “GT” for “Gran Turismo”, meaning a “luxury” touring car. So my car was “250GT4217.” You can tell how low the volume of production still was in the 60s by the fact that there were only four digits in the serial numbers.

The GTO model was a bit of gamesmanship by Enzo. To be accepted as a production car by the FIA a manufacturer was required to build at least 50 examples. There were never that many GTOs built, but there are something like 34 of the prettier Series I cars such as 4219, as well as a second series of about nine cars in 1964 called a “250GTO64.” The 1968 version of the Corvette Stingray is a ratheer blatant copy of the design.

So the shock was what I knew about how serial numbers of production cars were assigned. Each car off the line, regardless of model, got the next number ending in an odd digit. So my car was coming down the line just ahead of this particular GTO. They were built virtually at the same time, and it is very likely the engine assembly for both cars was done by the same individual, as this is Ferrari practice to this day.

Until I read this article I did not know about the earlier history of the car, nor the multiple color changes. It seems it is now a rather sinister looking black (the only GTO I have ever seen in that color). I also find the primer colored area behind the door odd looking and wonder about it. But I do see that the number light on the door is still there, though I don’t now about the one on the rear deck. 

Just another bit of nostalgia that brings me back to a wonderful era to have been lucky enough to have enjoyed deeply with great people and wonderful cars.

"Whether you actively engage in the violent culture of hate or merely step out of the way to give it permission to persist and room to grow, you are complicit"

-Brittany Packnett-