The Long and Winding
Road IV
It had
been many years since I drove more than 150 miles or so in a single
day; longer than that alone, and I had never driven more than 200+
miles in the truck with a fully loaded camper and pulling a closed
trailer. The rig totaled over 6 tons, and my Dodge pre-dated the
company's update to the product to the hemi-engine and four wheel
disc brakes. It is underpowered and underbraked, and barely able to
handle the load.
Once
out of California trucks are no longer limited to a 55mph speed, and
on Interstate 80 both cars and big rigs were ripping along at 75...a speed
virtually impossible for me to reach or maintain, particularly uphill. The
tension was significant; the distances vast. My Day 1 journal entry
was titled “Inches on the Map- hours on the road". After 325-350 I
was exhausted, and the maniac inside my head with the hammer was
having a ball.
But
despite the headaches I was enchanted by the land. Here's a few clips
from my writings:
In
western Wyoming I wrote:
“Runnin
on Empty...what a choice of music- Jackson Browne's poetic song of
life on the road; here the perfect accompaniment to the unearthly
landscapes of western Wyoming.
Not a
tree in sight, and strange flat plateaus from which the far from flat
plain seems to hve sunk away from.”
Not the
greatest English, but a pretty effective picture.
In
Nebraska I commented:
“And
everywhere this huge vault of sky- a constant reminder that we really
are beings of the stars.”
And in
Iowa an attempt at haiku:
“Impossibly
green field
White
house
Sky
full of
Dirty
cotton ball clouds”
We
visited an odd little museum in Minden, Nebraska which included some
cars, including a Crosley sedan. But the real prize was a steam
driven merry-go-round run by a soft spoken young guy adorned in a
cowboy hat. ( http://pioneervillage.org/I.
had commented:
“We
al road it, me on a zebra, and it was a wonderful step into this very
different world than the one we left so far back down the road.”
The
Auburn, Cord, Duesenberg Museum in Indiana was so spectacular we
spent the better part of two full days there:
http://www.automobilemuseum.org/#home.html.
And
about which I said it was:
“...an
Art Deco vision of perfect proportion and balance from the
magnificence of cars that are the height of American craft,
ingenuity, and accomplishment to the glass of the light fixtures and
the tapestry-like draperies and accents on the walls.”
Remember this guy? The car Whittell gave John and the model Ernie built is in my shop More information can be found at: http://duesey186.com/Datasheets/Model_J_Index/data2354.htm Though I suspect the owner listed was not who John sold it to See the notes below this picture, from the book "The Survivor Series" The photo was taken, along with others, after John Mozart bought As far as I know he still ownes the car |
An
Amish village we visited, on the other hand, just confused me.
Although impossible to achieve, I could somewhat understand an
attempt to stave off the “evils of modern society.” But to simply
draw the line sometime in the 1830s was baffling. I do “get” that
this was a cutoff just at the invention of the full, instant
communication between people, via the telegraph. Still, it seemed
arbitrary and just strange, as Illustrated by horse-drawn carriages
with electric tail lights.
On
the 1st
of September we finally arrived at Lime Rock, Connecticut. It was
already 16 days since I had left home. But...
“It
is achingly green
and
starkly manicured
as
if not a blade of grass
dare
be out of place
But
it is charming
and
steeped in 25 years or more
of
history
at
a depth
(at
least for White America)
No comments:
Post a Comment